julian lwin Immersive Design
Executive
Creative Director
Industrial designer
Reimagining Everyday Reality
Sri Priyatham: It started from being a kid with a narrowed focus on Cartoon Network and its cartoons. With my poor performance and lack of sharpness in academics, art grew over me in the early phase of my schooling, where I recreated almost every cartoon I watched.
This included a few hundred Pokemons and Beyblades. Eventually, I was sure I’d pick something relevant to art, even though I knew nothing about a course or designation until I enrolled myself in an art school. There I started freelancing around my 2nd-year with a few independent commissions, to begin with.
Sri Priyatham: A significant assignment was a medical-based project with LVPEI, Hyderabad, on ophthalmological anatomy for the Microsoft HoloLens project with CYIENT. I got to be the design consultant to help 3D artists convert 2D illustrations of human eye anatomy into AR-compatible models for students.
It was a massive learning curve as I got to understand the depths of the ophthalmology department while working closely with veteran eye surgeons for many months.
Sri Priyatham: Artists I’m inspired by are Jason Seiler for his realistic approach in caricatures and textural aesthetics in digital pieces; Jan Op De Beeck for his masterful lines and exaggeration techniques; Viktor Kalvachev, for his unlimited fantastical characters and lines; Jens Classens for his simplification of forms and Benjamin Bjorklund for his abstract portraits.
Sri Priyatham: Advice I’d give myself if I could go back in time would be to interact with more people and not let awkwardness or introversion become a hindrance to growth.
Sri Priyatham: I prefer people who are realistic in their projects and know what they want – a bit of what they’re getting into, at the least. Also, ones who are totally fine with fluctuating commercial aspects alongside mutual respect for other professionals.
Sri Priyatham: My dream projects involve working with show creators and writers because of my love for screenwriting and filmmaking. The visualization part is what highly fascinates me about a script more than anything. Precisely, a storyboard or a visual narrative–something written by Vince Gilligan & Peter Gould.
“The purpose and relevance of illustration, according to me, is to fetch away and realise someone’s thoughts into reality; to make people believe about something unusually beautiful in everything we see every day”
Sri Priyatham: The purpose and relevance of illustration, according to me, is to fetch away and realize someone’s thoughts into reality; to make people believe something unusually beautiful in everything we see every day. To make the world a better place through a lot of transcending messages with art.
Sri Priyatham: Most of the creatives I do for production houses pertain to post-release promotion campaigns for their films and shows.
Sri Priyatham: I would like to change the perception of caricatures and exaggerated illustrations as an art form, in general.
Sri Priyatham: I draw a lot of inspiration from popular culture, cinematographers, writers, and musicians like AR Rahman, Hans Zimmer, and Max Richter. Also, people who deal with a lot of nature i.e., people, light, landscapes, psychologies, and auditory patterns inspire me.